fog fog the cloak of death
He may technically have been an alien from another planet, but Christopher
Reeve’s Superman was one of cinema’s last great traditional heroes. A man who
knew right from wrong, he was a superhero driven by a belief in truth and
justice rather than by childhood trauma and genetic mutation.
In a country dedicated to propositions of progress and the "new", Superman
appeared with his invulnerable body: the body that retains no marks, on which
history cannot be inscribed….Superman was the New Man, the Man of Steel, the Man of Tomorrow…who could suffer the brutalizing shocks of modernity with neither broken bones nor neurasthenic breakdowns. Superior senses and a body so strong that "nothing less than a bursting shell could penetrate his skin" made him the first perfect citizen of the Metropolis.
Superman may have been a creation of the 1930s but his is a myth for our
times….The potency of the Superman myth lies in the perennial human yearning to
escape the constraints of the human condition. To be human is to inhabit a world
of vulnerability and limits. The weakness of the flesh, and its end in death,
frame all human endeavour…Superman appeals as an idea, and has survived as a
character, because he transcends these limitations. (Gove, 2004: 18)